• Web Theater, Paris: review of Don Carlo in Paris Opera (26-Oct-2019): "We savor the cavernous power of Sava Vemić as the monk, whose claims come from the depth of the Earth.”/“On goûte la puissance caverneuse de Sava Vemić en moine, dont les invectives semblent venir des profondeurs de la terre.”.


  • On line Marker, Paris: review of Don Carlo in Paris Opera (26-Oct-2019): "...den René Pape überzeugend darstellte : wunderbar seine Mezzavoce in „Ella giammai m’amo“ bevor er seine mächtigen Bass in den Saal schleuderte. Ihm absolut ebenbürtig als Stimme war Sava Vemić in der wichtigen Rolle des Frate (Geist von Karl dem V.), den wir zum ersten Mal hier in einer größeren Rolle hörten...”
    “René Pape convincing: marvelously his mezzavoce in " Ella giammai m'amo " before hurling his mighty bass into the hall. Equally equal to him as a voice was Sava Vemić in the important role of the Frate (Spirit of Charles V), whom we heard here for the first time in a larger role...”


  • Ontomo, Tokyo: review of The Magic flute in NNT Tokyo (03-Oct-2018): "Sava Vemic, from Serbia, exquisitely delivered a role of impeccable, super good-looking Sarastro./セルビア出身のサヴァ・ヴェミッチは、一点の曇りもない超絶イケメンのザラストロを見事に演じている".


  • New York Times: review of La Sonnambula (10-Feb-2016): “The most confident singing came from the Serbian bass, Sava Vemic, as Rodolfo. Mr. Vemic brought a mellow, full-bodied voice, a feeling for bel canto phrasing and commanding stage presence to his portrayal.”



  • Pia news, Tokyo: review of The Magic flute in NNT Tokyo (03-Oct-2018): "Especially noteworthy amongst singers was a young bass Sava Vemic in the role of Sarastro. His voice was truly breathtaking, and what was impressive was his low tone that was echoing throughout the theater as if he was the only one using a microphone./ 歌手陣で特筆すべきは、ザラストロ役の若いバス、サヴァ・ヴェミッチだ。とにかく声がすごくて、ひとりだけマイクをつけているのかと思うぐらい響き渡る低音が印象に残った".


  • EL MUNDO, Seville: review of Der Keiser von Atlantis (01-Dec-2018): “Así mismo fue verdaderamente ejemplar la intervención del bajo serbio Sava Vemic, personificando la figura de la muerte, entre el plantel de cantantes elegidos para esta representación"


  • ASAHI, Tokyo: review of The Magic flute in NNT Tokyo (03-Oct-2018): "What I've found the most impressive are the stable singing of Sava Vemic as Sarastro, focused performance of Yoko Yasui and glossy voice of Masako Hayashi as Pamina./ザラストロのサヴァ・ヴェミッチの安定、夜の女王の安井陽子の一本気、パミーナの林正子の艶(つや)が印象に残る。



  • New York Times: review of Parisina d'Este (06-May-2016): "The role of Ernesto, the duke’s minister and foster father to Ugo, was sung by the bass Sava Vemic with a booming, rugged tone that held great charisma..."


  • Olyryx: review of Sparafucile in Verbier festival (05-Aug-2018): "La palme de la révélation revient à la voix de basse de Sava Vemic. Son Sparafucile est parfait de justesse et d'autorité, riche de graves profonds et d'une grande maîtrise des nuances. Le chanteur serbe affiche une ligne de chant épatante de maîtrise, doublée d'un charisme qui en impose".






  • Musical America (chosen as Artist of the Month April 2015): "In Donizetti’s Roberto Devereux, the role of Sir Walter Raleigh is a bass cameo, unlikely to be singled out for review. But when Sava Vemic sang it with Eve Queler and the Opera Orchestra of New York at Carnegie Hall last spring, reviewers sat up and took note".


  • Observer: review of Roberto Devereux (10-June-2014): “…the standout was Sava Vemic, whose thundering bass had the audience scrambling for programs and asking, “Who is he?” after his cameo as Sir Walter Raleigh.”


  • Allegri con Fuoco: review of Roberto Devereux (08-June-2014): “Bass Sava Vemic, as Sir Walter Raleigh, had a very minor role, but was alarmingly powerful, especially for someone so young. He has a lot of promise with the punch he packs. In terms of the sheer girth and weight of his deep bass he dwarfed even the seasoned Devia. Truly surprising and very exciting.”